Anyone can experience a “stage fright” which is the fear of facing an audience or public.
What was once referred to as “stage fright” or “rookie panic,” today is referred to as “microphone panic” because it is an element that usually connects all of these events.
It happens all the time to actors, singers and entertainment professionals, even those who don’t even have to speak, like dancers or extras.
It is something that has existed since the dawn of time: we can read of similar episodes already in the accounts of the ancient Greeks and Romans, the “creators” of Theater and Oratory.
Every artist has faced this problem at least once in his or her career. In fact, as Mylena Vocal Coach says, stage fright goes hand in hand with the desire to express oneself and communicate in the best possible way.
Continue reading…Mastering your voice and emotions is key to presenting successfully, laying out ideas and plans in a concise and successful way.
Elevator Pitch is an idiom that could be expressed as “quick and short chat” or even better “flash presentation“. The idea behind this communication technique is to take advantage of short moments of “dead” time, such as the time you spend in an elevator between floors, to introduce yourself concisely and immediately empathize with the other party.
You need to be prepared because when you have the opportunity to “accidentally” meet someone important, perhaps at a job interview or a business meeting, you have at most a few seconds to grab their attention and immediately define why we are important to them.
Continue reading…Sooner or later everyone comes face to face with an uncomfortable question. The interviewer who asks the awkward question may be a journalist, an employer, a lending institution, for example during the mortgage application process at the bank.
Inconvenient questions are those that seek to expose us, draw us out or catch us by surprise. All of these questions assume something we want to keep hidden, that we are not proud of, or that is inherently confidential or damaging in nature to us or those we represent.
There is no doubt that being prepared for all kinds of questions and interviews is critical, but it is even more so when we estimate that the answer will determine much of our future.
You’re probably looking for the art of avoiding answering uncomfortable questions, i.e. the ones you’re afraid will be asked, but here at Inborn Voice we prepare you for that and more.
Continue reading…Philosophy, psychology, and common sense have tried to give some kind of explanation as to why when we are in an altered state of aggression, fear, or joy, we tend to raise the volume of our voice disproportionately.
First of all, it is appropriate not to consider behaviors that may very well be “transmitted” or acquired by observing others. Certainly those who grew up in an aggressive environment may have learned that to intimidate people it is sufficient to raise the volume of the voice. A bit like howler monkeys, the one who screams the loudest usually has the upper hand not because his voice overpowers the others, but because typically those who have learned to use their voice aggressively have done so as a passive subject subject to the aggression of someone else and know perfectly well that it is good to be quiet and not respond when someone attacks us with words.
Continue Reading…If you have read my book, you know that people start losing control over their Voice, and their Inborn Voice, when they start to lie. The problem is once you realize you’re unconsciously lying, it seems impossible to stop.
The more you try to stop it, the worse the situation becomes.
So how you can start using your Inborn Voice once again? Baby steps. It’s all about the art of using your Inborn Voice.
Here are 10 tips that may help you get on the right path without any help, but if you still feel any help is needed, then contact me or my staff for a voice assessment.
Continue reading…
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