Monica: From 10 Years of No Success to a Confident Voice in Musical Theater

Monica is 32 years old, lives in the province of Varese, and works as an office clerk, but her dream has always been musical theater. For ten years, she studied singing at a traditional school in Milan, without achieving the results she had hoped for. When she was offered the opportunity to play a leading role in a theatrical production, she realized she needed a different approach than the one she had tried up to that point.

Six years ago, she began her journey with the Inborn Voice method, and that’s when something changed dramatically: her confidence in singing, her ability to hit high notes effortlessly—skills that the traditional method had failed to give her over the course of a decade.

Watch Monica’s video testimonial

Here is Monica’s video testimonial, recorded shortly before my departure for Boston.

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Full Transcript of the Testimony

Hi everyone, I’m Monica. I’m 32 years old and I live in the province of Varese.
I work as an office clerk, but my dream is to work in theater.
That’s why, ten years ago, I enrolled in a fairly well-known school in Milan, but unfortunately, I didn’t see any results.
Since I had the opportunity to play the lead role in a play, I decided to look for a teacher who could give me private lessons.
So six years ago I found Mylena, and I have to say that the results were evident—if not immediately, then almost!
I’ve gained such confidence that singing is no longer a problem, and hitting certain high notes is no longer a problem either—I can do it with an ease I never would have expected.
What can I say? I recommend her to everyone, because her innovative method (Inborn Voice)—and believe me—truly works wonders.
Greetings to everyone!

What Can We Learn from Monica’s Case

Monica’s case is interesting because it illustrates a pattern I see often: ten years of traditional training without concrete results, followed by rapid progress as soon as she began working on her voice with a different approach. It’s not a matter of talent or commitment—Monica already had both. It’s a matter of method: traditional singing often works “against” the voice’s natural mechanisms, while Inborn Voice uses them to its advantage. For those who dream of musical theater, where both power and ease in the high notes are required, this difference is noticeable.